Showing posts with label fiction. Show all posts
Showing posts with label fiction. Show all posts

Monday, February 24, 2014

Black Scat Review #6

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BLACK SCAT REVIEW features innovative fiction, art, interviews, and works in translation.

In this issue: Nin Andrews, Emily June Brink, Eckhard Gerdes, Michelle Gray, Judson Hamilton, Sarah Katharina Kayß, Adam Miller, Ivan de Monbrison, Jules Moy, Opal Louis Nations, Doug Skinner, Brett Stout,Joanna C. Valente, and Sayuri Yamada. PLUS an extensive interview with Yuriy Tarnawsky on the release of The Placebo Effect Trilogy.

Full color book format — 78 pages — Perfect-bound ($18.00).

Also available in a digital edition ($5.00).

CLICK HERE TO ORDER

Tuesday, February 4, 2014

This book is full of shit!

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But I mean that in the best sense of the word. This rare anthology features scatological texts by the following period luminaries: Alphonse Allais, George Auriol, Georges Courteline, Edmond Haraucourt, Vincent Hyspa, Maurice Mac-Nab, and Erik Satie.

It has been tastefully compiled & translated by the great Doug Skinner—the man behind Black Scat’s sublime translation of Alphonse Allais’s CAPTAIN CAP: HIS ADVENTURES, HIS IDEAS, HIS DRINKS.

For those of you too shy to carry around the limited print edition of MERDE, the publisher has also released an electronic version which can be discreetly read on your iPad

I advise everyone to obtain a copy HERE.

Wednesday, November 20, 2013

Don’t Worry, It’s Only Ten Bucks

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My little chapbook. Don’t Worry, It’s Not About Hats, is back in stock in a second printing. The murky brown cover of the first edition (see below) may have given the impression that the book was in poor taste and possibly offensive. Hopefully the new version will seduce the general public into purchasing it.

Hell, it’s only $10.

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Feel free to order multiple copies here.

Sunday, September 1, 2013

CHECK IN

 

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Taking a step back and trying to be objective, Hotel Ortolan reminds me of those early paperbacks published by City Lights… little gems like A Hundred Camels in the Courtyard  and True Minds. Or, perhaps, Breton’s illustrated novel Nadja published by Grove Press. Certainly Michel Varisco’s photographs are equally haunting.

Ortolan is the sort of slender surrealist volume one dreams of encountering at a bookshop in Paris. The door on the cover dares you to enter. And, of course, you do. You open that forbidding door, step inside and then…well, it’s too late. Whalen’s words are in your bloodstream. The book is destined to be  displayed face out on one’s bookshelf, or even under glass. It’s surely not an edition one loans to a friend, as it will never be returned. It won’t find itself in a box at a yard sale in Greenwich, or at the Salvation Army in Sacramento. Maybe, just maybe, a copy will appear in the bin outside Strand in NYC, but only because it arrived from an estate sale and was mistakenly sorted by an ignorant temp.

Limited to only 125 copies, it’s already imbued with the aura of an avant-garde classic that collectors will search for without success.

“Ever seen a copy of Whalen’s Ortolan?”

Here’s your chance, only 75 copies remaining.

CLICK HERE TO ORDER

Monday, May 13, 2013

Jaffe’s ANTI-TWITTER Free—Today & Tomorrow


Oh boy, don’t miss out on this!


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These 50-word stories are based on “found” texts from mainstream news sources and other public sites. Jaffe sculpts them to reveal their inner core, all niceties stripped away. Now the true motives, fears and sins of our age are on display for all who care to see.

Amidst an internet-driven content boom, meaning has virtually disappeared. Anti-Twitter’s extreme brevity demonstrates by example that brief need not = dumbed-down. Though the stories describe a wide arc: high and pop culture, intimate and public, sordid and exalted, all subjects are equally laid bare by Jaffe’s incisive stratagems.

CLICK HERE TO DOWNLOAD A FREE COPY ON AMAZON

Also note that Jaffe’s Revolutionary Brain and Jesus Coyote are now for sale in Kindle format at a reduced introductory price of $2.99,

Thursday, May 9, 2013

Merdre!

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HOW I BECAME AN IDIOT by Francisque Sarcey (Alphonse Allais)
Translated and with an introduction & annotations by Doug Skinner
Absurdist Texts & Documents – Interim Edition No. 00

Francisque Sarcey (1827-1899) was, for much of his career, the most powerful theatrical critic in Paris. He was the perfect model of the blunt bourgeois, championing common sense, anti-intellectualism, and traditional values. He favored light, commercial fare, and railed against Ibsen and Jarry.

He was, predictably, a prime target for young artists. Alphonse Allais took the ridicule to new heights: from 1886 to 1893, he wrote a regular column for Le Chat Noir, which he simply signed as Francisque Sarcey. The pseudo-Sarcey became a grotesque caricature of the smug middle class, a sort of proto-Ubu: an obese, gluttonous, lecherous, hypocritical dolt, prattling on about his constipation and hemorrhoids, in loosely-knit sentences studded with clichés.”—Doug Skinner

HOW I BECAME AN IDIOT includes four of Allais’s nastiest columns,

Limited Edition of 60 copies. perfect-bound. $12.50

Don’t be an idiot, order your copy right here.

Tuesday, April 2, 2013

The Captain’s Table

Well isn’t this splendid…a new collection of Captain Cap stories by my old friend Alphonse Allais.

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Yes, it’s volume two in a 4-part series from Black Scat Books, translated from the French by the one and only Doug Skinner—a man who not only knows how to crack open the insidious French language, but who can draw a pun in three dimensions—much like the devil himself. Skinner has illustrated this divine edition (104 pages, mind you!) throughout. Such a lovely cover, too, I’m thinking of framing it, as it reminds me of the glory days of Les Arts incohérents.

I can’t imagine a better April Fool’s chaser.

Only 125 copies to be sold (and I hear a batch have already been snapped up), so order quickly from this LINK. Hurry up!

Happy April Tuesday.

Monday, January 7, 2013

MY NEXT BIG THING…

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The lovely writer Samantha Memi invited me to participate in a blog-chain project called “The Next Big Thing.” Thus, I’m required to interview myself and ask myself a series of predetermined questions. I’ve been told I need not take this exercise seriously, but I am still forced to spend time with myself when I could be out skipping stones in the Bay.

Oh well, here we go…

 

1. WHAT IS THE TITLE OF THE BOOK?

SNOWDROP IN AFRICA.

2. WHERE DO YOU GET THE IDEAS FOR YOUR STORIES?

That’s always a tough one. I buy some of my ideas over the counter at Walmart. Others I find in various dumpsters throughout the Bay Area. While others arrive at my door completely unannounced; then force their way inside and squat. The good ones tend to stick around despite my repeated threats to call the cops. Of course they realize I would never do that since I can’t stomach authority figures.

Professor Snowdrop appeared as a character in several stories I wrote. I wanted to expand on these. As a devotee of Oulipo, I decided to subject the professor to several sadistic constraints.

3. WHAT'S THE GENRE FOR THE BOOK?

Metafiction. Dada-noir.

4. IF YOU HAD TO PICK ACTORS TO PLAY THE LEAD IN ONE OF YOUR STORIES, WHOM WOULD YOU PICK?

Groucho Marx. Robert Redford. Orson Wells. Anyone but Brad Pitt.

5. HOW DO YOU DESCRIBE YOUR BOOK IN ONE SENTENCE?

A film noir starring Groucho Marx, with a screenplay by Raymond Roussel, and directed by Alfred Hitchcock.

6. HOW WILL YOUR BOOK BE PUBLISHED OR WILL YOU BE HANDLING IT YOURSELF?

The book has been published in the Absurdist Texts & Documents series from Black Scat Books (www.blackscatbooks.com) . And since I’m the Président-Fondateur of the press, I guess you could say I handled it myself.

7. HOW LONG DID IT TAKE YOU TO WRITE THE FIRST DRAFT?

3 weeks to produce a rough draft of 30-pages. Additional time for the illustrations which accompany the text.

8. WHAT OTHER BOOKS WITHIN YOUR GENRE ARE SIMILAR TO YOURS?

On the surface, perhaps… Walter Abish’s  ALPHABETICAL AFRICA (a brilliant book, by the way) , but In terms of plot…I can’t think of any off-hand.

9. WHO OR WHAT INSPIRED YOU TO WRITE THIS BOOK?

The Oulipo.

10. WHAT ABOUT YOUR BOOK WILL PIQUE THE READER'S INTEREST?

It’s an odd little tale with several twists & surprises.

Snowdrop in Africa is available here:


 

***

Acknowledgements

Frances Leftkowitz www.franceslefkowitz.net/

Carla Sarett www.facebook.com/cjsarett

Thursday, November 22, 2012

First Issue

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Contributors include: Alphonse Allais, Elizabeth Archer, Florence Bocherel, Pierre Henri Cami, Pedro Carolino, John Crombie, S. N. Jacobson. Crad Kilodney, Michael Leigh, Samantha Memi, Doug Skinner, Yuriy Tarnawsky, and Tom Whalen. The issue includes an interview with Samantha Memi, author of Kate Moss & Other Heroines.

Cover photo by S. N. Jacobson

CLICK HERE to order a copy.

Friday, November 9, 2012

New Images & Books


I have several images in the current issue of LITnIMAGE.

Also, three recent books are available:

The Neglected Works of Norman Conquest

What is Art?

Snowdrop in Africa

The latter appears in the Absurdist Texts & Documents series from Black Scat Books, and is an oulipian tale created under rigorous constraints. Call it literary bondage.

Monday, October 29, 2012

Cover Stories

Technorati Tags:

 

Here’s my cover design for Erik Belgum’s new collection,
just out from JEF Books.

 

 

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You can order a copy on AMAZON.

Monday, October 8, 2012

Mondo Pornobongo!

Check out this hot new collection of erotic wordplay just unleashed by Black Scat Books:

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It’s packed with seductive, oulipian licks by Eckhard Gerdes, Alain Arias-Misson, Larry Fondation, Harold Jaffe, Derek Pell, Andy O’Clancy, Farewell Debut, Rusty Cuffs, Opal Louis Nations, Tara Stillions Whitehead, Samantha Memi, Shane Roeschlein, Lance Olsen, and Ryan Forsythe.

If you said, “Yum-yum, I want some!” then order it here. Only 50 copies available.

Tuesday, August 14, 2012

A New Face in Town

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I was a lucky lad to have grown up when small publishers like City Lights, Grove Press, New Directions, Olympia, and Gaberbocchus (London) were flourishing. I was addicted to their offerings and anxiously awaited each new book with twitchy fingers. It hardly mattered which artists & writers they published, as nearly everything seemed like gold. It was pure tingle-thrill right down to the bone.. The books were wild-eyed, radical, outrageous, satirical, mysterious, erotic—precisely my cup of tea!

Yes, those were thrilling times and thrilling pubs. And now there’s a new house on the scene you can add to that list: Black Scat Books—an imprint of Le Scat Noir that just launched a blog at blackscatbooks.wordpress.com

Check Scat out and FOLLOW the yellow brick road… you just might experience the same long-lost thrill.

Sunday, May 13, 2012

Great Novels #1

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From boxed, 2-volume set

 

FROM WATERLOO STATION TO THE SMALL COUNTRY town of Ramsgard in Dorset is a journey of not more than three or four hours, but having by good luck found a compartment to himself, Wolf Solent was able to indulge in such an orgy of concentrated thought, that these three or four hours lengthened themselves out into something beyond all human measurement.

Friday, March 23, 2012

The Dick is Back

Sexy cover, oui?

Watch your Dick. Which Dick? Dick Cheney? Dick Nixon? Take your Dick. Dicks are back, That is, if you know how to time-travel.

Ryan Forsythe’s speculative novel Dick Cheney Saves Paris is absurdist, stick-in-the-eye sci-fi at its best. A blast to the past, a kick in the ass, a time-trip to warped worlds unknown. No, make that warped worlds you’ll recognize but wish you didn’t. Is it a mirror or just déjà-voodoo? Take this trip and you’ll have the answer. But just make sure you can handle it, as the novel is freaking funny. You’ll laugh yourself into a coma, and when you come out of it—holy shit!—Dick Cheney will be there to greet you with his lopsided smirk.

Scope the book’s trailer below, then BUY the paperback.

Thursday, March 15, 2012

The Day Judge Crater Came Out of the Linen Closet

 
Judge Crater, with zombie-like determination, stalked out of the Fletcher's linen closet, exited the bathroom, and entered the hall where he paused, momentarily, to adjust his robe. A life in the closet had come to an end. Nevermore would his honor hunker in the dark under a jumbo-sized carton of sanitary napkins, nor subsist on linens and shards of soap which clung, ever obstinate, to the edge of the tub.

The judge had ruled in favor of himself. He had suspended his sentence, dismissed all charges in a life devoted to illegal eccentricities, and was now prepared to announce his presence to his unsuspecting hosts, whose inadvertent charity and sheets had—for nearly two years—kept him alive.

Downstairs, in the immaculate but garish dining room, Margo Fletcher was busily serving breakfast to her family. The clan was seated around a converted operating-table--complete with bloodstained top and tilt-bar--in anticipation of another meal served with the clumsy, yet loving, touch of Mom... a woman whose only vice appeared to be occasional stints as a prostitute at local Kiwanis meetings.

Her husband Elmer, despite his inability to ejaculate during coitus, was a good provider. He wore the pants in the family, though sometimes inside-out. In his spare time, Elmer Fletcher was fond of football and test tubes.
The Fletcher children were, with the exception of one, models of modern American youth--healthy, happy, and severely overweight. Butch, the oldest, tipped the scales at a hefty 327 lbs. and was a senior at Phlegmwood High, where his feats of pyromania were legend. By contrast, his brother Billy was the intellectual of the house. Although only twelve years old, his head alone weighed an extraordinary 85 lbs.! Furthermore, Billy's collection of antique pamphlets on the treatment of spinal curvature had been estimated in value at over six hundred dollars.

Prudence, the youngest, was down to a plump 145, having been dead for three weeks; a fact which Mrs. Fletcher simply refused to accept. Thus, she insisted on bringing the badly decomposed child to the table at meals, to be propped up in a chair and included in the conversation.

"Did you hear something, honey?" asked Elmer of his wife, as she bobbled a muffin onto his plate.

"Why yes, dear, as a matter of fact, I did. It sounded like someone opened the door to the linen closet."

Billy, who had been quietly squeezing a hard-boiled egg between his knees, looked up. "Maybe it's a burglar," he said, hopefully. "Or a psychopath. I read that the murder rate has risen thirty-four percent in the last three months!"

"Arson's way up, too," chuckled Butch, grabbing a fistful of oatmeal, shoving it into his mouth.

"Crime-crime-crime," chanted Mr. Fletcher, frowning. "Is it any wonder? Our criminal justice system is a shambles. The judges are corrupt, juries are rigged, and then there's those Jew-bastard bleeding-heart liberal lawyers!"

"Elmer darling, pleeeeease," said Mrs. Fletcher, smiling between clenched teeth, "not in front of the children..." She nodded in the direction of Prudence, "..you know how sensitive they are."

"Sorry, Mother," said Mr. Fletcher, rolling his eyes. "Guess I lost my head."

His wife smiled forgiveness, then handed a cup of chicken broth to Billy. "Pass this to your sister, dear," she told him.

"Gee whiz, can't you see she's—"

"—DO AS YOUR MOTHER SAYS!" screamed Mr. Fletcher, waving a blubbery fist. "YOU THINK I ENJOY WORKING  IN A GODDAM SPERM BANK?!..." His rage carried him to his feet in a sudden, spastic fit. He reeled violently about the room, bouncing off the walls and cursing.

"Sit down, dear, your coffee's getting cold."

Elmer whirled to a stop near the window, which faced out on a bright green lawn, dotted with white birch trees and pink flamenco dancers. He stared for a moment at the calming scene, recalling the day, ten years before, when he first saw her... dressed in that trim, seductive uniform and standing so authoritatively in the middle of the road, seeing the last of the children to safety. She had not been beautiful, nor even young, yet there had been something about her... something indefinable... something that made him step on the accelerator and run her down.

"You okay, Pop?" asked Billy.

Mr. Fletcher shrugged, then returned quietly to his chair.

"Listen," exclaimed Butch, suddenly, "footsteps on the stairs!"

The entire family, with the exception of one, turned in unison toward the staircase where the sound of descending feet creaked eerily. Rising from his seat, Butch removed a matchbook from his vest and went and stood stalwartly beside his mother's chair. The Fletchers gasped at the sight of the strange robed figure who now marched unblinkingly toward them with an air of crazed purpose. His hands were clasped juridically behind his back as he stepped into the dining room and bowed.

"What in god's name is the meaning of this?" cried Mr. Fletcher, secretly praying that his own life be spared.

"Allow me to introduce myself-my name is Joseph Force Crater. I have been residing in your linen closet upstairs for the past eighteen months."

Mrs. Fletcher clutched the neck of her dressing gown, nervously. "Oh migod..."

The judge nodded. "That's right, Mrs. Fletcher. Eighteen long months. No contact with the outside world whatsoever, not even at Christmas. And living on a diet of—" He smiled bitterly. "—well, let's just say I wouldn't recommend it. But no matter, I've come to bid you all farewell."

Billy looked concerned. "But where will you go?"

"Shut up!" snapped Mr. Fletcher.

Upon noticing Prudence sliding sideways in her seat, Judge Crater winced. "You really ought to do something about that."

"Better watch it, Your Honor," warned Butch, striking a match and tossing it at the intruder's feet.

Sidestepping the flame, Crater gave the boy a dirty look, then turned to Mr. Fletcher. "So this is how you've raised him, eh? Well, it's none of my business and, besides, I'm late. No need to get up ... I'll see myself out, thank you." And, turning on his heels, he swept out of the room.

When they heard the front door slam shut, Mr. and Mrs. Fletcher breathed a sigh of relief and, avoiding eye contact, faced each other.

"The guys at the bank'll never buy it," said Elmer, shaking his head. They'll think I'm back on the sauce."

His wife tried to sound an encouraging note. "But... they trust you, dear."

"I can't wait to tell the kids at school," chirped Billy.

Butch stared gravely at the matchbook in his hand. "There's going to be a fire tonight," he announced. "I can feel it."

Mr. Fletcher sighed. "I'd better go have a look at the closet...you never can tell."

"Come on, Mom," urged Billy,"let's all go."

Margo Fletcher, however, did not hear her son, but rather was listening to a voice far away, as she stared uncertainly at the body of Prudence which lay in a heap on the dining room floor.

***

Reprinted from STRANGE FAECES NO. 20- March 1980; edited by Opal Louis Nations